Thus, Moore's Bond was more humorous than Sean Connery's, certainly more than Timothy Dalton's or Daniel Craig's. It would be hard to image practically any of the others floating around in space like he did in Moonraker in the era of late 1970s sci-fi, or dressed like a clown in Octopussy. But this is what helped set him apart, and this is why to many he was the best. After six seasons of the successful series The Saint, Moore would go on to eventually tie Connery with the most appearances as Bond (a total of seven). They ranged from pretty darn good (The Spy Who Loved Me and For Your Eyes Only) to mediocre or slightly substandard (Moonraker, Octopussy, A View to a Kill), to the bad (Live and Let Die) and awful (The Man With the Golden Gun). They all, for the most part, have a humorous bent, particularly when Moore finally appeared to stop doing a version of Connery's Bond and just come up with a new persona. His was far gentler; his Bond may have been as horny as the others were, but at least he didn't rape a woman (like Connery's Bond did in Goldfinger). Yet for whatever reason, 53 percent of women rated Connery the best.
Was he my favorite? I try to avoid "ranking" the Bonds. They all brought their own unique talents to the role, a role and franchise that unfortunately are growing tiresome. Roger Moore's, though, was probably the first or second that I remember seeing and recognizing as James Bond, and that is one reason why I liked him so much. Despite my inclination to avoid ranking them, as the iconic song from The Spy Who Loved Me goes, perhaps nobody did it better.
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